reelprint’s Edward Frumkin dissects the memoir-esque elements of Cameraperson through film analysis and quotes from Reality Hunger by David Shields.

Edward Frumkin analyzes the correlated links between a passage from Frantz Fanon’s Black Skin, White Masks, a scene from Ousmane Sembene’s Black Girl, and the ongoing discriminations Black people face in the United States.

Edward Frumkin dissects Teddy and Leonard’s actions when he gives his interpretation of John Gammell’s true identity in Christopher Nolan’s sophomore feature Memento (2001).